triptych – What Remains When We Move

Triptych | Archival pigment prints | Color | 2025

This series is my attempt to photograph not a person, but a presence, something felt, rather than fully seen. I used motion blur not as a technical effect, but as a way of conveying what it feels like to exist in flux: emotionally, psychologically, physically. These portraits are about identity, yes, but more so about the moments between identities, when we’re shifting, uncertain, or simply not ready to be defined.

Each image carries its own tone. In red, there’s intensity, movement that borders on disintegration. In white, a quieter gesture: reflective, inward, maybe even tender. And then back to red again, this time not collapsing, but upright, emerging. Still blurred. Still unresolved. But somehow more insistent.

What interests me most is what lingers when clarity leaves. A gesture. A flicker. The suggestion of someone about to speak or vanish. I don’t want these to be read as portraits in the traditional sense. To me, they’re visual echoes, fragments of emotion suspended in time. What remains when we move is often more honest than what we hold still.

Frame not included

30.5 x 30.5 cm mounted photos, ready to frame and elevate your space. Each one features a premium Giclée print, surrounded by a thick bevel cut mat, acid free, 4-ply thickness, cut from premium, textured mountboard.

High-quality Printing on EMA (Enhanced Matte Art), a 200 gsm premium quality heavyweight fine art print material with a smooth, clean finish and Archival-Museum quality.

Sold by series of 3 mounted photos